АНГЛОМОВНИЙ СИНТАКСИС ХУДОЖНЬОГО ПРОЗОВОГО ТЕКСТУ СЬОГОДЕННЯ

Abstract

This article manifests a direction of modern anthropocentric linguistic to a study of modern text formation displayed by an author of postmodern. Besides, a study of text structure including an author conception of the world enriches investigation experience of modern Germanic philology with new knowledge about emotive and its representation in the modern Anglophone literature. The received results deepen a notion about a syntactic textual architectonics as a multiaspectual linguistic notion and make its contribution into a development of a general theory of a text.  
To receive the scientifically veracious theoretical and practical results in the research, a list of adequate linguistic methods were implemented (semantic and structural, contextual, functional and interpretating and a quantitative analysis), the significant number of material was also studied (6918 pages of 19 works of fiction of the beginning of XXI century that belong to Anglophone authors of postmodern that are in the list of winners of the post prestigious in the Anglophone world prize „The Women’s Prize for Fiction”). 
According to the results of the research, the overwhelming majority of syntactic structures that express parataxis and hypotaxis in postmodern fiction explicate a tendency of a modern author of prevalence usage of paratactic structures. The quantative dominating types of parataxis state a dynamic development of modern system of the English language and also explicate independence and disregard of set forms of text formation.